This act, and something in the movement of either party, instantly characterised the performers- they performed for Dencombe’s recreation- as opulent matron and humble dependant.
James, Henry. “The Middle Years.” In Complete Stories 1892-1898, edited by John Hollander and David Bromwich, 335-55. New York: Library of America, 1996, p. 336.
when does trio on beach become performers? being observed transforms people into performers (not only their fluid movements, but they must be seen), dichotomy of opulent matron/ humble dependant related to observer/performer?