Also, the old man suggested the removal of my deliberate attempts at melodramatic contrasts of the comic and tragic motifs through which the spontaneous feelings, moods and lurking chaos in the soul of Bakba had been somewhat blurred. Furthermore, the Mahatma asked for the deletion of those clever tricks which had made the experience of the concrete into a deliberate effort at style.
I find it interesting that in this passage the old man notices that the writer is attempting to attach his own characteristics to the main character in his novel. From my understanding there is something about the writer that is bleeding into his work (which the old man deems unfit for the novel about his kind of love). I believe it is the writer’s reliance on eloquent literary tools and storytelling devices that is creating the dissonance between who the main character is and what the writer wants him to be.